Vanessa Brantley Newton

Hey folks, I have an extra special treat for you today.   A feast for 

the eyes as I welcome illustrator,  Vanessa Brantley Newton to my blog.  Don't you love that dazzling smile?

Vanessa does all kinds of illustration - from magazines to children's books.  And she makes dolls, handmade books and a whole variety of crafts!  She has a fondness for retro,  loves to illustrate people in multicultural situations, and she adores everything about clothing, including drawing them on kids. 

She recently finished two children's books:

  EVERY LITTLE THING  

by Cedella Marley 

(Based on the song Three Little Birds by Bob Marley)

 and THINK BIG 

by Liz Garton Scanlon

Vanessa it's so great to meet you and to see your accomplishments.  I'm curious about your process.  Let’s say you have a book idea or an assignment in front of you.  How do you go about tackling the new project?

Oh my goodness this seems to be the question that I get asked the most. I have been drawing all my life. I started illustrating children's books with Scholastic. My very first assignment was for a magazine called," Read and Rise". I remember the butterflies that I had in my stomach and the horrible headache that was brought on by fear. The fear of not doing it right! I finally took a deep breathe and said to myself," These people have asked YOU to do this because they believe in you. This is what  you have been preparing for all this time now is the time to do it. Do it scared, but do it." I prayed and put pen to paper and did it. Since then I have done it almost 35 time now it I tend to take myself through the same thing each time. It's a little scary each time I do it. I put my faith not so much in myself or what I can do, but in the Giver of this wonderful gift. He lends me His genius and it takes the pressure off of me to preform. I send time looking at the project and doing small sketches. I get to know the characters and do lots of drawing of the characters. If the book calls for research I spend days looking for resources that will help me. I also talk to the editors and art directors as much as possible cause they give me great direction and feedback.

Oh, I like that line.  "Do it scared.  But do it." I'm guessing you solicit critical feedback before submitting your work. Is that true?

I have a wonderful friend in another artist illustrator Eric Barclay. He lives in Dallas, TX, but we Skype and talk all the time. Eric gets to see my work and lets me know what he thinks. He is very honest with me and let's me know if it needs work. The plus is that he is a guy and sometimes guys just know how to shoot straight with their comments. He doesn't worry about hurting my feelings. It's about getting the best work out there.

Exactly!   I realize illustrators have to revise just as we writers do.   What kind of revisions might an art director ask for?

There are a lot of revisions that they might ask for like, making the character a boy instead of a girl. Show a mixed race child. Show a scene from a different perspective. I once did a character that the art director hated! She didn't like this guy at all. She asked me to remove him a couple of times. We went back and forth until another art director told her that he was in love with the character and felt that he needed to stay just as he was. It's a give and take situation at time. We work together to make it happen.

 Can you share some images of a published illustration that show revisions you made along the way?

For the cover of Drum City, I offered the publisher several options. Regarding the first one the editor said, "It has a quietness about it.  While I love it, it doesn't have the energy of the second one."

The second one has the energy of a clamoring bunch of children coming together to form a parade in the city.  It says urban to me."

 LET FREEDOM SING is based on the song, This Little Light of Mine and it celebrates the African-American historical struggle for equality.

This Greensboro Four lunch counter scene is creative and shows both boys and girls.  

But Harriet, the editor, wanted it to reflect historical accuracy as well as creativity so she asked  me to  portray only the four gentlemen involved.  "I love Harriet,  She is very bold when she talks to you.  She said, 'all black people don't look alike.  Put some color in there.' She wanted to show diversity within color.

Note the differences in these two illustrations.  The first one they loved it  but...

the book was not meant to incite.  We knew the truth that some people went to jail and died but what was more important was that what brought us together was the song. (This Little Light of Mine)  It was meant to tell a story -  not to make people feel bad. In this revision we see diversity of people standing together.

Vanessa, I love hearing about your process and now I want that book.  Thanks so much for sharing a few of your marvelous images with us. We look forward to enjoying many more.  Congratulations on your recent publications!

FINDING MY BRAND (With A Little Help From My Friends)

This week, Penny Sansevieri, author of Red Hot Internet Publicity had a great post on author branding.

Branding is something I've thought a lot about in the last year. I'd like to think I'm making some progress from the days of "designing" my own website, printing out my own bookmarks, and changing my blog template on a regular basis.

One of the areas that Penny emphasizes it that of Consistent Marketing Materials.

Thanks to the fantabulous Nathan Clement (graphic designer, author, picture book illustrator) for help in this department!

Here are a few of the items he designed for me.

Nathan and I began with the "center of the universe" as Penny calls it - a website that reflects my style.  And since I'm a history writer who tends to wax a wee bit nostalgic, I went for the old fashioned photo album look. I knew I wanted some movement on the home page so Nathan came up with the signature that writes before your eyes.

When we moved on to the bookmark, Nathan incorporated the signature into it as well.  I like that!

If you read Blue and its sequel, Comfort, you know that wisteria is a symbol in both novels. I love how, on my website, Nathan included a sprig of it in a blue bottle (also a symbol from the books).  He incorporated a stylized version of the wisteria vine on the website and as an overlay on the postcard below.

For Healing Water, Nathan used the same floral overlay technique as on the postcard for Blue and Comfort.With hibiscus, of course!

Of course I also wanted this blog header to connect to the look of my website and other materials. The incredibly savvy photographer, Johnna Brynn offerred to do that in exchange for publicity I gave to one of her projects.  Nathan sent her a screen shot of the webdesign and Johnna adapted it.  I love what she did with it!

My next project is a bookplate and maybe a brand new business card too.  Because after all, I'm still using one that I designed.  Penny Sansevieri would not be impressed!

THE CREATIVE PROCESS: (Writing Invisible Lines by Mary Amato)

I did not create the book trailer below. But that doesn't keep me from wishing it were my idea! Such a great way to communicate how a book takes shape and grows.



Congratulations, Mary Amato!