Showing posts with label Augusta Scattergood. Show all posts
Showing posts with label Augusta Scattergood. Show all posts

Monday, April 16, 2012

ON WRITING HISTORY IN FREE VERSE (May B. & Caroline Starr Rose)

My friend, Augusta Scattergood, just posted a terrific interview with Caroline Starr Rose, author of May B.


I found this both fascinating and informative since I'm also writing a novel in free verse.  I loved hearing how organic Caroline is being with the writing. I suspect this is necessary because poetry is such an organic thing anyway.

As I dig back into my work-in-progress I realize my earlier attempts were stiff because they grew out of my concern for plot. This time I am focusing more on the characters - digging into their souls and letting them speak from deep longing, profound joy, and whatever other emotions bubble up.

Imagine the emotions in this story...


I haven't read May B. Yet. But reading the interview and seeing this trailer makes me want to. So, Kansas prairie - here I come...

Do head on over to Augusta's blog to read the interview with Caroline! Leave a comment and you could win a copy of the book!  Wish I could win but I'm not entering because I just won another book at Augusta's blog and well, it's your turn!. 

Augusta Scattergood is the author of Glory Be. (Interesting title parallels going on here, eh?)

Saturday, March 31, 2012

GLORY BE by Augusta Scattergood

 A few years ago I threw out an invitation (see sidebar) for my readers, to guest blog for me occasionally.   Augusta Scattergood took me up on the offer. 
As a former librarian, Augusta knows books. I quickly learned that she would point me to some great reads.

But all the while, she was also working on a book of her own - a story born out of her love for the south and inspired by memories of life in Mississippi. And just look at that cover!
Glory Be by Augusta Scattergood is thick with the humidity and history of Mississippi  in the summer of 1964 (also known as Freedom Summer).  Gloriana Hemphill (Glory) is about to turn 12.  Which means, of course, that she intends to have her birthday party at the local swimming pool. As usual.

But "as usual" doesn't exist in Hanging Moss, Mississippi.   Freedom workers (known to some as "outside agitators") have come from up north, intent on changing the status quo.  Their mission is to urge racial equality in public spaces - such as the library and the swimming pool.

Certain locals, (like Glory's best friend's father) do not intend to let that happen.  So the swimming pool closes on the pretense of needing repairs.  Uh-oh!  Birthday disaster on the horizon! Not to mention, a little strain on Glory's best friendship.

To make matters worse - Jesslyn, Glory's sister has outgrown her - a change which Glory refuses to take sitting down. (If there's action, Glory is one of those characters who will get in on it.)  While spying on Jessalyn and her boyfriend, Glory discovers information which leads eventually to a dangerous situation.  She doesn't handle everything perfectly but she does form strong opinions, learns to speak up  for civil rights,  and intercedes for one threatened individual.

Scattergood, who originally hailed from Mississippi, is clearly writing her native tongue as she gives voice to Glory.  The reader gets a vivid sense of time and place as well as a look at one important summer in American history.  There are plenty of sobering reminders here but the story is also chocked full of nostalgia and childhood pleasures.

Congratulations to Augusta on a story that introduces young readers to the historic  events of 1964  while giving the rest of us a reason to look back!

Augusta's blog is a potpourri of books, food, quotes, and  author updates.  Her website provides you with resources, Q & A, and author info.

Wednesday, October 26, 2011

A LITTLE CONVO WITH KIRBY LARSON

I love it when a great author brings hidden history to light.  Kirby Larson has done that with The Friendship Doll!
The relationship between the US and Japan has had its share of animosity. But back in 1927, an amazing American, Dr. Sydney Gulick, came up with a plan for creating goodwill. He facilitated the giving of more than 12,000 dolls to the children of Japan.  The Japanese loved the dolls and wanted to give back.  So they sent 58 stunning handcrafted dolls with intriguing accessories. These dolls began their lives in the US with a ceremony and a national tour! Then each state received at least one doll. 

I could go on about this but Bill Gordon has done it so much better at his Friendship Doll website.  What a history this is! I see why Kirby Larson could barely wait to write a fictional account of one of those dolls and her life in the US. A few months ago, Augusta Scattergood reviewed The Friendship Doll for me here.  And today, I'm honored to share a little dialogue with the author!
 
Kirby,  one of the features of the book is that that the doll, Miss Kanagawa, communicates with the girls in the story.  Can you talk about how these dolls speak to you, personally?

I was never a doll kid, though I did own a Midge back in the day. Growing up, I would rather read or play Man From U.N.C.L.E. with the neighbor kids. But when I was researching Hattie Big Sky, I came across this intriguing photo taken in 1928 of a little farm girl with a stunning and nearly life-size Japanese doll. I had to find out about these dolls and when I "met" Washington state's Friendship Doll, Miss Tokushima, I felt as if she was about ready to tell me something.I fell under her spell and, though it took many years, I knew I would write a book about the Friendship Dolls.
Kirby with Miss. Kantoshu, the ambassador doll who lives in the Rosie Whyel Doll Museum in Bellvue, WA.
Ms. Kanagawa's travels in the United States take her to 4 distinct locations - New York, Chicago, Kentucky, and Oklahoma. One thing that struck me as so authentic and natural in these stories was the use of language which seemed to grow right out of the landscape.  How did you choose the locations and familiarize yourself with the settings, characters, and dialogue in your story? Oh, do you have a few days?! After a big-time false start, I decided to set the story during the Great Depression. It impacted our entire nation and I wanted to try to capture that. In addition, the Friendship Dolls toured the entire country, visiting towns large and small and I wanted this story to reflect that,too. I will do ANYTHING to learn what I can about other places and times, from reading old newspapers to reading diaries and journals to scouring eBay for old letters, postcards and photos. I also collect old atlases, books of folk proverbs and spend many hours in our local university's archives. All for the sake of story!

Got a research story to share?  Some obscure detail you tracked down or some accomplishment you’re particularly proud of? I think I am proudest of bringing to light a bit of little known history, especially because the doll exchanges between the US and Japan were about building friendships, something I think we can never hear enough about.

What is your approach to researching, plotting, and writing historical books in general? 
(brief pause for maniacal laughter) I am a terrible plotter. I fully embrace the Karen Cushman model of plotting which involves getting to know your character as fully and deeply by putting them into pickles to see what happens. I do as much primary research as I can, and I try to tell my stories as honestly as possible. That's my approach to writing historical fiction. 

Ah, a kindred non-plotting spirit - I love it!  So, if you could be an ambassador doll from the US  where would you like to go? And why? Love this question! I would go to Lebanon because it is a beautiful country with such incredible people and yet so much sorrow and mistrust.

Kirby, I know 13 of the original Japanese friendship dolls are missing and that you're hoping your story helps to rediscover them. It's still early of course, but by any chance has someone come forward with one yet?  Not yet! But I am a relentless optimist.

Awesome! I have a feeling it will happen and I can't wait to hear about it. Thanks so much for stopping by.  I loved having you here.

Kirby is the award winning author of Hattie Big Sky (Newbery Honor), The Fences Between Us, Nubs, and Two Bobbies. My thanks to Provato Marketing for making my visit with her possible.  Please visit www.provatoevents.com

Thursday, July 21, 2011

Book Review: THE FRIENDSHIP DOLL by Kirby Larson

I'm always pleased when Augusta Scattergood drops a book review into my inbox.  And thank goodness, she's done it again! 

THE FRIENDSHIP DOLL
By Kirby Larson (Delacorte Press, 2011)
208 Pages
Ages: 9-12

In 1927, 58 dolls were sent from Japan to the United States as Ambassadors of Friendship. About three feet tall, their black human hair was cut in a bob, their faces hand-painted. They were dressed in silk and possessed lacquer chests, tea sets, and parasols. A young girl’s dream.

The dolls traveled around the country until Pearl Harbor, December 1941, when most were removed from display.

Based on her research into these doll ambassadors, Kirby Larson, author of another of my favorite historical fiction novels, HATTIE BIG SKY, has just published a terrific new book for kids, THE FRIENDSHIP DOLL.

Told chronologically in ever-worsening situations, beginning in 1927 and ending in present-day Seattle, four girls with strong, distinct voices, relate to a single Japanese doll. Woven together by the presence of the doll, any of the chapters could be read aloud as a stand-alone. The stories are harsh, moving, uplifting, funny—and page-turning.

The doll star of this show is Miss Kanagawa. She’s special, and yes, she interacts with some of the human characters in the book. But she’s not a toy who comes awake at night to dance in the playroom. Not a chance. She’s considerably more subtle and sophisticated than that. She communicates with interwoven snippets, imagined eye movements. She feels a slight twinge, a pain in her heart here and there.

As the story unfolds, Miss Kanagawa begins to understand what is happening:

 I sit on the shelf, watching the seamstress mend my kimono. It seems I am being prepared for something, but I do not know what that is.

There is a new feeling in my heart—how strange and yet how sweet to say that word…like there is a string tied to my heart, as if it is a kite being tugged by a kite flier whose face I cannot see.

Yet.

A quasi debate about the nature of historical fiction has turned up on blogs and websites. Is it historical if it’s just set in the past— with appropriate details, characters, language— yet not related to an actual event? Is it historical fiction if it was written as contemporary fiction but now read by young readers 30 years later, who see anything before they were alive as the past?

I’m not re-opening that particular worm can right now. But I would like to go on record: This book represents all the best in historical fiction for young readers. Real history and facts—the kind you find in textbooks, reference books, and on scholarly websites. Through terrific books written of another time and other places, kids experience history in context (the food –lots of beans during the Depression, the clothing, the actual words spoken).

That’s what I love about THE FRIENDSHIP DOLL. It’s based on research and real facts, and it’s a great story, well-told in a way that makes the period jump off the page, in a good way. And there’s so much history! The Chicago World’s Fair, the Okies traveling Route 66, Eleanor Roosevelt.

The Author’s Note at the end breaks down the different stories and offers a glimpse into Kirby Larson’s extensive research and contagious enthusiasm for this project. I want to know more, or at the very least, read the novel again from start to finish.

This book was sent to me by the publisher. Whether or not, they knew I was once a child hoarder collector of dolls (often snatched from the arms of my younger sister), I can’t say. But that’s not really what THE FRIENDSHIP DOLL is about. Yes, there is a doll. No, it’s not the only thing to love about the book.


For additional information and resources, check out Kirby Larson’s website.
http://www.kirbylarson.com/books/the-friendship-doll/

And check out this article on the Seattle’s Child website.
http://www.seattleschild.com/article/the-friendship-doll-has-a-voice-of-its-own


Augusta Scattergood
Reviewed by Augusta Scattergood

GLORY BE, Augusta’s first novel, is historical fiction set in 1964 Mississippi. It will be available in January, 2012, from Scholastic. You can follow her progress on her own blog: http://ascattergood.blogspot.com/

Click on over and check out GLORY BE's stunning cover as well as Augusta's thought provoking reflections, book news, and reviews.

Thank you, once again, Augusta! I'll definitely be reading The Friendship Doll!

Monday, May 16, 2011

Interview with Newbery Award-winning CLARE VANDERPOOL

As promised on Friday, Augusta Scattergood, who reviewed Moon Over Manifest for us, is back with an interview from the the author, Clare Vanderpool!


Thank you, Clare Vanderpool, for agreeing to speak to us here at THE 3 R's: READING, 'RITING & RESEARCH.

Congratulations on the amazing award. Your fellow lovers, writers and readers of historical fiction are very proud!

Can you share some of the books that made you fall in love with reading when you were young? The books you read so intently that you walked into those telephone poles? And we love this image because we’ve all been there!

A Wrinkle in Time, Island of the Blue Dolphins, Little House on the Prairie, Anne of Green Gables, Charlotte’s Web, Half Magic. These are all great books for walking into telephone poles… so be careful!

I noticed from your book jacket bio that you enjoy reading historical fiction. Are there books in the genre you’ve read recently that you particularly loved?

I recently read Turtle in Paradise by Jennifer Holm. And a while back I read Crows and Cards by Joseph Helgerson. This was kind of a Tom Sawyer, river boat story. I also loved Richard Peck’s A Long Way from Chicago and A Year Down Yonder.

Was there a part of Moon Over Manifest that drove the writer in you crazy? For example, anything big that got left out of the book in the end, or ended up being your favorite part after much writer hair-pulling?

Nothing really drove me crazy, but sometimes it seemed like I’d never really finish the book. The story was just so layered that I went back through it many times to make sure the different characters’ voices were consistent, that my timeline was accurate, that the various threads of the story pulled together in the end. I created a master checklist that listed every chapter, Hattie Mae column, letter from Ned, etc. and would use that same checklist over and each time I went back through the manuscript. I also used lots of post-it notes to mark places that I needed to come back to and add little brushstrokes or bits of information to the story. Every little detail mattered. It was a great relief to me when there were no more post-it notes stuck throughout the pages.

What drew you to this particular place and especially these two time periods-1936 and 1917?

I’m a very nostalgic person and I like imagining myself in another place and time. The town of Manifest is based on the real town of Frontenac , Kansas. My mother’s parents are from that area in southeast Kansas. As I did the research for the story, I learned how rich and colorful the history was in that part of the state. And there seemed to be a natural connection between 1936 and 1917. During hard times (like the Depression), I think people tend to harken back to a time they remember to be simpler and happier. Both time periods had plenty of difficult things going on. Drought and economic crisis in 1936. World War I and the Spanish Influenza in 1917-18. So there was plenty of history to draw from for both storylines.
Since many of our blog readers read and/ or write historical fiction, do you have any great tips to share about your writing process or your research techniques?

I love doing research. As I said, I’m a very nostalgic person and I love delving into the past. Newspapers, yearbooks, graveyards, the History Channel. These are all great avenues for learning about other times and places. I spent a lot of time looking at microfilm in the library of old newspapers from 1936 and 1918. This can add a lot of authenticity and flavor to a historical novel. And it’s fun!

(Joyce here)  Thanks Augusta, for coming bringing Clare to The 3 Rs!

And thank you, Clare for taking time from a truly busy schedule to grant this interview. I loved reading your update to your website - the one that explains a bit of life after winning the Newbery.  I've often wondered how one copes with the aftermath of winning a major award.  Now I know - with a healthy dose of humor! 

For more from Augusta Scattergood, visit her blog at http://ascattergood.blogspot.com/ .

Thursday, May 12, 2011

Book Review: MOON OVER MANIFEST by Clare Vanderpool

Augusta Scattergood is back as my guest blogger today.  And she's brought with her a review of this year's Newbery Award winner, MOON OVER MANIFEST by Clare Vanderpoole.  I'm thrilled to say she's also snagged an interview with Clare. Drop back by on Monday for that sweet treat!

But first, Augusta's reflections on MOON OVER MANIFEST.

This year’s Newbery winner took a lot of people by surprise. It shouldn’t have. Everything that gold medal stands for is right there inside this novel. An adventure story and a mystery, the book interweaves letters from the First World War with musings from the society page of a local newspaper. The Ku Klux Klan makes an ominous appearance as does a conjurer, a preacher, and one of the most intriguing heroines to appear in historical fiction since Calpurnia Tate.

Young Abilene Tucker has been sent by her father to Manifest, Kansas, for the summer. Or so she thinks. Manifest is a town with history, with her own father’s history to be precise. He’s sent her there to stay with a sometimes preacher named Shady Howard. Eventually, Abilene decides she’ll just make the best of it.

She’s hardly picked herself up from a jump off the train before she’s face to face with a pathway called Perdition. Turns out, Manifest, Kansas is nothing like the stories her father told. “I tried to conjure up something smooth and sweet from those stories, but looking around, all I could muster was dry and stale. Up and down Main Street, the stores were dingy. Gray. Every third one was boarded up.”

And that’s Abilene’s introduction to the place she’s destined to spend more than a summer exploring. A broken pot leads her down the Path to Perdition where she meets Miss Sadie. Miss Sadie, the local fortune teller and potent maker, has found Abilene’s treasured compass, and the young girl schemes her way into Miss Sadie’s stories, hoping not only to retrieve the compass but to learn what connection her father had to this Kansas town. As a mystery unravels and Miss Sadie’s reveries unfold, Abilene digs deeper into Manifest’s history. But the harder she— and her new friends— delve, the less they seem to discover and the less it all seems to make sense. Even worse, Abilene is no closer to discovering her father here.

The time is the Depression, 1936, but Vanderpool’s skillful plotting takes the story back to 1917 via newspaper articles and remembered stories. This complicated novel, remarkably, ties the story up so that in the end young readers will see the connections. While they might need grounding in the time period to understand all the threads that run through the story, that should never keep a good student from enjoying the sheer mystery and adventure of MOON OVER MANIFEST, this year’s Newbery winner.

Thanks so much, Augusta!  I'm reading Moon Over Manifest myself right now.  I love reading about the first half of the 20th century in the US and I look forward to making the conections in this story!  Kind of you not to include spoilers!

Thursday, September 9, 2010

Book Review: QUEEN OF PALMYRA:

Augusta Scattergood has worked as a reference librarian and an elementary school librarian. A book reviewer for The Christian Science Monitor, Delta Magazine, and other publications, she also writes for children, her favorite genre being middle-grade fiction.

She blogs about reading, writing and especially writing for kids at http://ascattergood.blogspot.com/ 

I'm always honored when she shares a book review for use on my blog!  Welcome back, Augusta.
  

Why do you think the 60s are ripe for fictionalization? What is it about that amazing time?

Not that I'm complaining. Almost 10 years ago in a Writing for Children class at The New School, I first had a smidgen of an idea for a story that would take place during Mississippi Freedom Summer, 1964. I didn't know whether the time period was intriguing to kids, I just knew I had to tell that particular story. Now, all these years later, my novel is on the verge of publication. Amazing, even to me.

Books about the 60s are cropping up everywhere. Most I’ve read have been pretty darn close to the truth. Kids' books like Deborah Wiles’ new novel Countdown. Literary fiction, movies, Mad Men. The Help has spent over 60 weeks near the top of the best seller list. Secret Life of Bees? A terrific crossover novel and a not-half-bad movie.

My latest discovery is Minrose Gwin's,  The Queen of Palmyra, a complicated and amazingly told story of a time in our history some would just as soon forget.


The setting? A small Southern town where neighbors tend to help each other out. Share coffee on the front porch. Bring casseroles for births, funerals and most everything in between. At least on the outside, everyone’s happy. Well, maybe not 11-year-old Florence Forrest's family, who’d just as soon the neighbors do their meddling on their own side of the fence.

And if anybody needed a casserole, the Forrests do. They are falling apart. Florence's father has failed at yet another job, and her mother, Martha, insists they return to the family’s hometown where Martha’s cake business will support them. Florence’s teacher grandmother seems sympathetic to the young girl’s plight—her raggedy, outgrown summer shirts and shorts and inability to place the states properly on a map. But despite her love for the child, the grandmother is limited by her relationship with her shiftless son-in-law.

There’s only one person left to help out. Florence’s care is mostly given over to the grandparents’ long-time maid. Over six feet tall with bad veins and legs that pain her, Zenie, named for Zenobia, Queen of Palmyra, agrees to take on Florence for the summer. Mostly she ignores the girl. Then Eva, college-educated and filled with ideas, moves in with her Aunt Zenie and turns the Black community— and young Florence’s life— upside down.

A powerful sense that all is not right with the world starts in chapter one as the young narrator looks out on the children going off to school. With their shirts "tucked into their pleated skirts," they carry their books and "little lunch boxes and satchels. Watching this parade of regular children on their way to school, I feel like a dead girl looking down from heaven on the trickles of the life she is missing out on."

That's the voice of one strong narrator, telling a powerful story.

In the interest of full disclosure, let me put it out there right now. I know Minrose Gwin. However, when I was sent this book by the publicist, I had no clue that my life and that of the writer had intersected. But we were friends in our early college days in Mississippi, until we were 19 and departed that women's college. We had different names back then. Many years have passed. I had no idea.

And I loved the book.

Later, I discovered serendipitously, that Ms. Gwin is now an English professor at my alma mater, The University of North Carolina at Chapel Hill. So not only am I proud of this book as an alum and as a former, almost-childhood friend rediscovered, I'm just plain delighted that it's such a good book. For what it has added to the discussion of race, growing up in the South, and life in the turbulent 60s, it should stick around for a very long time.

Enjoy an interview with the author.

Thursday, May 13, 2010

ONE CRAZY SUMMER by Rita Williams-Garcia

Book Review by Augusta Scattergood

Augusta Scattergood has worked as a reference librarian and an elementary school librarian. A book reviewer for The Christian Science Monitor, Delta Magazine, and other publications, she also writes for children, her favorite genre being middle-grade fiction.

She blogs about reading, writing and especially writing for kids at http://ascattergood.blogspot.com/



11-year old Delphine has figured out a lot about her family. Big Ma has no forgiveness in her heart for Cecile, the mother who deserted Delphine and her sisters. Her little sisters may be bothersome, but she’ll defend them to anyone who dares to criticize, especially their own flesh-and-blood mother. And her Pa for sure hasn’t told her all there is to know about the mother who now lives in California.

But like it or not, Delphine and her three sisters are being shipped across the country on an airplane to spend the summer with a mother they hardly know, and she’ll have to make the best of it.

So off they go—Delphine, Vonetta and Fern— from Brooklyn to Oakland in the summer of 1968 where they are greeted coolly by a mother who wishes she’d never had children. Right off the bat, on their first night at Cecile’s, she shoos them out of the house for Chinese take-out, forbids them to enter her kitchen, and enrolls them in a Black Panther day camp.

On their first morning in Oakland, Delphine reluctantly walks her sisters to the People’s Center, knowing it’s the only place they’ll get breakfast. Big Ma has warned them about Oakland—“nothing but a boiling pot of trouble cooking. All them riots.” But once at the Black Panther day camp, the three girls stay. And the characters they encounter are destined to open the girls’—as well as young readers’—eyes.

One of the beauties of Williams-Garcia’s middle-grade novel is her ability to introduce the important issues of race, prejudice, independence, revolution-- without continually banging young readers’ heads with the topics. Big Ma, the girls’ grandmother who moved from the South to Brooklyn when their mother took off, warns the girls about representing their race, to “act right” wherever they are. As Delphine and her sisters spend more time away from their grandmother and inside the People’s Center, the subtleties of their eye-opening experiences are quietly woven into the story. And what a terrific story this is!

Rita Williams-Garcia’s knowledge of the period is extensive. Her ability to describe this remarkable time and place (1968 Oakland, California) so that young readers understand the circumstances surrounding the Black Panthers and the American political climate is pitch perfect. Her child-friendly references— from President Kennedy to Cassius Clay to Mighty Mouse— make the story wondrous. This is historical fiction at its very best.

But truly, the story belongs to Delphine and her sisters. Rumor has it that more books on this appealing family may be in the works. I, as well as lots of young readers, will be waiting.

For a truly terrific interview with Rita Garcia-Williams, check out this recent issue of Horn Book. She explains the difference between writing for older kids and writing for her middle-grade audience.

I particularly appreciate this quote:

I like my younger readers to discover more; I like my older readers to wrestle with more.

And this, when asked about writing historical fiction for this audience:

I’m hoping younger readers will uncover more personal stories through the “live historians” in their homes and neighborhoods.

That’s one great thing kids can discover from books like One Crazy Summer. The time period is fresh enough to still have plenty of “live historians.” What an amazing resource for contemporary readers!

Thanks so much Augusta, for this intriguing review.  I am eager to read One Crazy Summer. - Joyce

Tuesday, February 16, 2010

Teaser Tuesday With a Twist: WE ARE ONE: THE STORY OF BAYARD RUSTIN

TEASER TUESDAY WITH A TWIST
(rules for myself)

Grab a history book.
Find a passage I love.
Share a few teaser sentences.

Choosing a book for this week's teaser was no problem. However, selecting just one incredible passage was more difficult. In the end, I decided to play off yesterday's post in which Augusta Scattergood reviewed Claudette Colvin: Twice Toward Justice.

Also yesterday, this book arrived on my doorstep.

We Are One: The Story of Bayard Rustin
by Larry Dane Brimner

And what a story it is! In 1942, thirteen years before Claudette Colvin refused to give her bus seat to a white person there was this incident.

From the book: (The ellipses indicate omitted sentences)

Then on a trip from Louisville to Nashville in 1942, something happened.

Bayard boarded a bus and took the second seat. Seeing him, the driver told Bayard to move....

"I believe I have a right to sit here," Bayard said...

Bayard considered the child sitting across from him. How many more years was that little white child going to suffer the injustice of thinking that blacks were inferior?

He became steadfast in his determination to remain in his seat.

At every stop, Bayard refused.

Sometimes life cooperated so completely! Baryard had long been reading about Mohandas K. Gandhi and his philosophy of direct nonviolent action in India's struggle for independence. Exasperated, the driver called ahead to the police and, just outside Nashville, four officers dragged Bayard off the bus and began beating him.

Like Gandhi, Bayard did not resist. Instead, he shielded the blows. "There is no reason to beat me," he calmly explained. "I am not resisting you."

There is so much more to Bayard's story - decades of nonviolent action. I want to share much more of this but for now, I'll simply say that author, Larry Dane Brimner has given readers a magnificent gift.

Brimner and We Are One - won the 2008 Norman A. Sugarman Award for the most outstanding biography published in the United States in the last two years.

Monday, February 15, 2010

CLAUDETTE COLVIN: TWICE TOWARD JUSTICE

Just in time for non-fiction Monday, Augusta Scattergood drops by with a review for a book that has thrilled the children's book world.

Claudette Colvin: Twice Toward Justice
By Phillip Hoose (Farrar Straus Giroux, 2009)

I don't read as much non-fiction for kids as I used to. Or as I'd like to. As a school librarian, working with teachers and students who thrived on good books, I appreciated it when a writer published terrific informational books kids loved to read and students and their teachers were also able to use for research. And although I’m no longer a working librarian, it’s hard to give up the mindset: I’m always thinking about how a “true” book might be used in the classroom and whether the author’s research stands up to scrutiny.

Phillip Hoose's Claudette Colvin: Twice Toward Justice passed all my tests, including the readability factor. I devoured it in one sitting.

I grew up in the South of the 60s. I knew a bit about the Montgomery, Alabama bus boycott, but like many other events of the time, much was left out of the story I’d been told. Yes, Rosa Parks, sometimes known as the godmother of the Civil Rights movement, is the name most associated with starting the boycott. But what this new book shows readers is that more than one person had a hand in this history-changing event. Many people, both black and white, stood up to the injustices they witnessed. And a young girl, much less well-known than most of the names associated with the Montgomery boycott, also refused to give up her seat on the bus.

Phillip Hoose
learned about Claudette Colvin while researching an earlier book, We Were There, Too!: Young People in U.S. History. He tracked her down and eventually convinced her to grant him fourteen interviews. Much of the book is told in her words, her own personal history of the time.

The sidebars alone might constitute an entire lesson plan for teachers. A facsimile of a handwritten list attributed to NAACP secretary Rosa Parks shows contributions made by churches to Colvin’s case. A photograph of the “Rex Theatre for Colored People,” accompanied by a ticket bought for a mere 15¢ in the mid 1950s, illustrates Claudette’s text about the Jim Crow laws that were so pervasive in downtown Montgomery when she was growing up. Newspapers, photographs, descriptions of the town and the players in the boycott— so much detail, so many fascinating facts to pour over. This book is a gem.

Deservedly, Claudette Colvin: Twice Toward Justice has been bestowed with awards and high praise. A Newbery Honor, a National Book Award, too many “best” lists to mention.

In 2005, Colvin returned to her high school in Montgomery to speak to students. She tells them

“I made a personal statement, too… Mine was the first cry for justice, and a loud one. I made it so that our own adult leaders couldn’t just be nice anymore. Back then, as a teenager, I kept thinking, Why don’t the adults around here just say something?... I knew then and I know now that, when it comes to justice, there is no easy way to get it… You have to take a stand and say, ‘This is not right.’

And I did.”

Phillip Hoose’s book illuminates a troubled time in our country’s history by detailing the impact of one significant event, the Montgomery Bus protest of 1955 and 1956.With this book, through the eyes of its leaders and a few ordinary people, young readers have a fresh perspective, new insights and information to interpret the Civil Rights movement.

I'm so grateful to Augusta for reviewing this for us. BTW - there's a gripping excerpt at the MacMillan website.

Saturday, February 13, 2010

BOOK TRAILER: Claudette Colvin: Twice Toward Justice

On Monday Augusta Scattergood will be my guest here, sharing her review of the National Book Award and Newbery Honor winning,Claudette Colvin: Twice Toward Justice (by Phillip Hoose).

Meanwhile you can meet both Phillip Hoose and Claudette Colvin herself in this engaging video.


And since (unless you live in Hawaii) there is snow in your state, you may as well enjoy another video while you are at it. This is Phillip Hoose accepting the National Book Award with Claudette Colvin at his side. I really love that this was not one of those fluttery OMG acceptances. I love the quiet dignity of their walk to the lectern. I love that this man sought out history and shared a little known history maker with us. I think I have a new literary hero. Not because of the award but because of the respect that oozes from Phillip Hoose's pores.

Phillip Hoose and Claudette Colvin, 2009 National Book Awards Dinner from National Book Foundation on Vimeo.

Saturday, January 16, 2010

Book Trailer: LEAVING GEE'S BEND

On Monday, Augusta Scattergood will be guest blogging here - sharing her review of LEAVING GEES BEND - a just released historical novel by Irene Latham.

This is a historical novel that really wants me to read it. And I'm going to oblige ASAP!

Have a look-see at the trailer.


I am very much looking forward to Augusta's review of this book.

Augusta, a former children’s librarian, grew up in Mississippi and now lives in St. Petersburg, Florida. She regularly reviews books for Delta Magazine and The Christian Science Monitor, and blogs about all things bookish at http://ascattergood.blogspot.com/

Monday, May 11, 2009

BOOK GIVEAWAY: And the winners are...

Lesson learned. If I want to give away a book, the best method for doing so, is not by asking folks to give to a charity. (At least not during hard times.) Back on April 25, I suggested my readers make a contribution to the March of Dimes and let me know so I could enter them into a contest for a copy of Comfort.

I got no takers.

To be fair, Augusta Scattergood, commented that she always supports the March of Dimes but she'd be reading my book anyway so I should give it to someone else.

And over at LiveJournal? No entries there, either. However, even before I'd posted the contest, Kelly R. Fineman had told me that she too, always gives to the March of Dimes. (She also decided to make a 2nd contribution since MOD is having trouble raising funds this year.)

And so I'm giving my books to these March of Dimes loyalists!

Augusta, I'll send a copy to you or to the school or library of your choice. Just let me know. (My email addy is in the sidebar.)

And Kelly, Comfort is coming your way just as soon as you contact me.

Thanks to both of you for supporting a worthy cause. Especially one with such a great history.